By employing the reconstructed formulas of the painting masters today, Masterpanels once more makes possible the renewal of a great tradition of creating art. These panels come completely ready to use right out of the box.

Each hand-crafted panel is made utilizing fiberboard and prepared with a special Renaissance recipe gesso. This treatment renders the panel’s surface mostly non-absorbent. This allows your paint to sit on top of the surface, and not soak into the gesso foundation.

These panels are a favorite of plein air painters and perfect for Oils, Alkyds, Acrylics and Egg Tempera.
1/4″ Thick Panel

Better weather in spring brings out the Plein Air painter in many of us. Our current spring sale will help keep your budget in check while filling your basket with paints and canvas. And if you prefer to sketch while outside or need to refill your pencil case, we’ve got you covered there as well.

As an added bonus, we’ll even give you $10 back when you buy $50 or more worth or supplies and we know how easy that is to do! Prices are good through 4-13-08. Print out the coupon below or come into the store to get one on the back of a flyer and we’ll see you soon.

local connection

Our talented staff will participate in the upcoming ‘Oral Sect’ show at Space Gallery. It opens on Friday April 4th. Check them out!

James Gregg

Chris Treggiari

Chris Curtis

Megan Torres

Aron Meynell

Dusty Genard

local connection

From Wikipedia, the free encyclopedia

Claude Monet Painting by the Edge of a Wood (1885) by John Singer Sargent. Oil on canvas. 54.0 × 64.8 cm. Tate Gallery, London.

En plein air is a French expression which means “in the open air”, and is particularly used to describe the act of painting outdoors.

Artists have long painted outdoors, but in the mid-1800s working in natural light became particularly important to the Barbizon school and Impressionism. The popularity of painting en plein air increased in the 1870s with the introduction of paints in tubes (resembling modern toothpaste tubes). Previously, each painter made their own paints by grinding and mixing dry pigment powders with linseed oil. The Newlyn School in England is considered another major proponent of the technique in the latter 19th century.

It was during this period that the “Box Easel”, typically known as the French Box Easel, was invented. It is uncertain who developed it first, but these highly portable easels, with telescopic legs and built-in paint box and palette, made treks into the forest and up the hillsides less onerous. Still made today, they remain a popular choice even for home use since they fold up to the size of a brief case and thus are easy to store.

French Impressionist painters such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir advocated en plein air painting, and much of their work was done outdoors, in the diffuse light provided by a large white umbrella. In the second half of the nineteenth century and beginning of the twentieth century in Russia, painters such as Vasily Polenov, Isaac Levitan, Valentin Serov, Konstantin Korovin and I.E. Grabar were known for painting en plein air. American Impressionists, too, such as those of the Old Lyme school, were avid painters en plein air. American Impressionist painters noted for this style during this era included, Guy Rose, Robert William Wood, Mary Denil Morgan, John Gamble, and Arthur Hill Gilbert. The Canadian Group of Seven originated by Tom Thomson and artist Sherie Sloane are examples of plein air advocates.

Painters gathered at Slide Rock State Park, Arizona in 2006.